Spring Apple

Here are some traditional portraits I painted using soft pastels. I generally enjoy exploring human gestures, eye and facial expressions, as well as values and colors to achieve an interesting rendering. Since childhood, I have observed my environment and the people around me extensively to build my visual memory over the years, and I have always felt the need to draw everything.

Here is a very simple cartoon character I designed for the drawing classes to gently introduce students to the art of character design and development. I generally start these courses with basic shapes to ensure that the material is comprehensible for everyone, including complete beginners. This course covers a variety of digital techniques and emphasizes organization in Adobe Photoshop. After gaining knowledge from this course, students can advance their skills and tackle more complex designs for their film school projects.

Here is a drawing I created, inspired by one of my two brothers named Pierre, and it's dedicated to him. As an overly sensitive little boy, he used to cry a lot, but he was also quite active, often getting bruises at school from fighting like a little brawler and coming home with a black eye. I remember he would always injure himself while attempting stunts to entertain the other kids and bring them joy.

Here is a fan art painting of Warhammer 40,000, which you can see at the bottom of this page. My drawing is not a reproduction; I created it to study values, layout, perspective, dynamics, and camera view. The focus was to make the composition more dynamic while drawing the same character along with all his details and accessories from a different angle, using only values.

Long ago, one of my very first digital paintings was inspired by Aaron Blaise, an animator and artist, along with his engaging YouTube channel and course content on his website, creatureartteacher.com. I felt so inspired by him that I binge-watched all the videos he uploaded, discovering many commonalities between his artistic journey and mine, as well as his perspective. I learned great techniques from him. Here is a cute composition I created, primarily focusing on storytelling, colors, values, and, once again, fur. The only photobashed element in this painting is a photograph of the leaves from my hazelnut tree, taken in my home garden in Saint-Jeannet, which is visible in the background. I thought it was a nice and easy way to complete the illustration, while everything else was digitally hand-drawn.

Another art course I created focuses on teaching colors and values through the design of a cute kitten. I believe this is also an excellent way to explain how to paint fur digitally without using downloaded brushes.

Here is the complete process of a short animated clip I created featuring Jerry Mouse fighting COVID-19. This project served as a course to primarily teach the use of Adobe Photoshop and Adobe Illustrator, as well as how to work in Adobe Animate and Adobe Premiere Pro. Throughout the process, I provided advice on the basics of 2D animation, referencing both of my all-time favorite books by Preston Blair and Richard Williams.

The objective of this illustration was to use the Link statue as a reference to create a completely new composition, following these steps: line art, shading, lighting, coloring, rendering, and special effects (FX). I have also cropped some close-up sections, so feel free to zoom in for more detail.

Here is a cartoon character design of a bat that I had in mind for a while. I wanted to use it for my art classes to teach the entire process of character creation as a gentle introduction to character design and development. I believe it is also a good way to cover some key points in Adobe Photoshop and Adobe Illustrator.

In this course I designed for my students, the challenge is to draw the Spidey Infinity toy, focusing on replicating the superhero landing pose from the provided statue photo. Students will start with a rough sketch and develop it into clean line art. Using the same lighting direction as in the reference, they will create their artwork in a comic style, incorporating hatching and action lines into the composition. The final step is to animate the character in a seamless loop, followed by post-production enhancements.